Matt Sloan was the production visual effects supervisor, so the majority of his time was spent with Wes and onset, whereas I looked after everything on the facility side. It allows us to focus on all of the aspects of the film, and in terms of dividing up the work we had additional sequence visual effects supervisors Daniel Macarin and Phillip Leonhardt. I enjoy being the sole vendor because were quite involved with the preplanning stage, working directly with the director Wes Ball and setting it up so that everything works well with what were doing, remarks Weta Digital VFX Supervisor Chris White when discussing Maze Runner: The Death Cure, which involved producing 678 visual effects shots. Weta Digital returns to the Maze Runner cinematic franchise where experimentations on immune youth are seen as the means to developing an antidote for a zombie-inducing virus that has desecrated the human population. Weta Digital VFX Supervisor Chris White goes into depth about creating the FX for Maze Runner: The Death Cure.
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